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Kingdom Remixes #3

by Ruben Kielmannsegge

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about

Pinorama starts this 2023 with Kielmannsegge’s latest remix delivery. A style cocktail ranging from nervous beats to mind-bending textures by some of the most talented and interesting Spanish producers.

We begin the trip with a dancefloor gem by Alvaro Cabana, renowned producer from Madrid and head of the label Rotten City. Cabana's remix for "Kingdom" is a bouncing dark funk bomb that explodes at the end with a final twist of style, diving into the cosmic realm.

Once we are there we drift through space with a remix of "Echoes" by Odagled, a Young promising producer from Málaga, who proposes a deep bath into a hypnotic fluid of textures, crafting the most accurate beats with a crystal clear sound and a love for bass.

Eddy Romero takes over the journey with an expedition into the organic dub-tech territory with a smart combination of synths and drum machines on his remix for "Crazy". Eddy is a basque producer living in the south of France, responsible of Expmental Records, and his work here is the perfect landing maneuver for our trip.

Back on the ground, our land pilot Lebollet, beloved DJ (and art cover designer too) from monumental Córdoba, also picks "Crazy" and takes it cross-country to the indieland. Funky breaks, a bassline of doom and crazy arps guide the wheels of this 4x4 rocky tune in a tight shaky groove.

Finally comes Shurko Love, techno lover and producer from Madrid, owner of Lovechord Records, who takes control and pushes the accelerator, turning "Tears Can't Run" into a devastating electro-tech sprint, a dark and spiritual dance anthem for the late nighters, blowing up the dancefloor on a sound supernova.

credits

released March 10, 2023

Mastered by Koschitzky Mastering

Artwork by Lebollet

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Pinorama Madrid, Spain

Pinorama is weird and uncanny, it is sweat and smoke, it is going bananas on a mushroom trip.
Going from the joy to drama, from obsession to ecstatic crystallization of sound. Pinorama is high and deep, and there is always something in the background left to be noticed on the next listening. ... more

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